Revelge - Mahler* - Des Knaben Wunderhorn (Vinyl, LP)

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Download Revelge - Mahler* - Des Knaben Wunderhorn (Vinyl, LP)
1966
Label: Delysé Records - ECB 3177 • Format: Vinyl LP, Mono • Country: UK • Genre: Classical • Style: Opera


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8 thoughts on “ Revelge - Mahler* - Des Knaben Wunderhorn (Vinyl, LP)

  1. View credits, reviews, tracks and shop for the Vinyl release of Des Knaben Wunderhorn on Discogs. Label: Delysé - DS • Format: Vinyl LP, Stereo • Country: UK • Genre: Classical • Mahler* - Des Knaben Wunderhorn (, Vinyl) | Discogs4/5(1).
  2. View credits, reviews, tracks and shop for the Vinyl release of Des Knaben Wunderhorn on Discogs. Label: CBS - S • Format: Vinyl LP, Album, Stereo 5/5(1).
  3. Mahler*, Janet Baker, Geraint Evans, The London Philharmonic Orchestra, Wyn Morris: Mahler*, Janet Baker, Geraint Evans, The London Philharmonic Orchestra, Wyn Morris - Des Knaben Wunderhorn ‎ (LP, RE) Ace Of Diamonds: SDD Spain: Sell This Version.
  4. Mahler* - Janet Baker, Geraint Evans, The London Philharmonic Orchestra Conducted By Wyn Morris - The Youth's Magic Horn (Des Knaben Wunderhorn) ‎ (LP, Album, Mono) Angel Records
  5. Amazon gives you plenty of excerpts above, so check them out. I love this disc, because "Des Knaben Wunderhorn" acts as an important thematic nursery for Mahler's first five symphonies. And while no Wunderhorn material shows up in Mahler 8, much of Part II feels and sounds like a throw-back to Mahler's earlier "Wunderhorn" style/5(6).
  6. Mahler* - Elisabeth Schwarzkopf - Dietrich Fischer-Dieskau - London Symphony Orchestra*, George Szell - Lieder Aus Des Knaben Wunderhorn ‎ (LP, Album) EMI Electrola 1C /5(6).
  7. lp_des-knaben-wunderhorn_gustav-mahler-elisabeth-schwarzkopf-dietri Identifier-ark ark://tdz05 Lineage Technics SLMK5 Turntable + Audio-Technica AT95e cartridge > Radio Design Labs EZ-PH1 phono preamp > Focusrite Scarlett 2i2 Ocr ABBYY FineReader (Extended OCR) Original-ppi Pages 13 Ppi Ripping_date
  8. Vinyl revival Legendary records Wunderhorn texts (such as Urlicht, Es sungen drei Engel, Das himmlische Leben etc.), and often – as, for example, in Revelge – Mahler composed a song as a kind of follow-up to a symphony. In another letter, he wrote that “nothing less than the first movement of my Third [Symphony] must serve as a study.

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